Cardinal Maffeo Barberini (later Pope Urbanus VIII) owned property near the resort of Scipione Borghese, Pope Paul V’s Cardinal nephew. (In this case, “near” means that the two Cardinals owned sprawling estates that shared boundaries.) Maffeo, who was on good terms with the avid art collector Scipione, introduced him to a young sculptor, Gian Lorenzo Bernini. Scipione recognized Bernini’s talent and bought one of the 16-year-old’s first sculptures. It shows the she-goat Amalthea, who bleats as a baby Jove and satyr fumble under her thick wool to milk her. Even as a teenager, Bernini knew how to tantalize his viewer’s senses!
From 1618 to 1624, Bernini worked for the discerning Scipione Borghese, producing four, full-sized sculptures. These sculptures, in the Borghese collection, culminate in Bernini’s David. Not only the hero and liberator of the Jewish state, David composed the Old Testament Psalms and was often considered the “patron saint” of poets and artists. Therefore, it is no surprise that this masterpiece of grimacing tension (seen in the photo) is actually Bernini’s self-portrait. His friend Cardinal Maffeo Barberini is said to have held a mirror for him as he sculpted. (In 1624, Bernini abruptly stopped work on the David. Barberini had just been elected Pope Urbanus VIII and monopolized the young artist by naming him Head Architect of the Church of Saint Peter’s!)
Before enjoying Bernini’s stunning sculptures, we will admire Scipione’s superb collection of Caravaggios. When not on loan, six Caravaggio paintings are found in one room! Even better, they create a picture of Caravaggio’s life and development as an artist. We will begin with his early pieces: a still life and the Sick Bacchus. Then we’ll examine his controversial rendition of the Virgin Mary, his renowned Saint Jerome, and his portrayal of Saint John the Baptist. But our visit culminates with Caravaggio’s spectacularly grim self-portrait, David and Goliath.
Not far from the Borghese Gallery is the Church of Santa Maria della Concezione. Underneath it is the famous Capuchin Crypt, better known as “the Bone Church.” When Maffeo Barberini became pope, his brother Antonio — a devote Capuchin, who was said to have possessed nothing but his clothes and a bible — traveled to Rome at his brother’s request. To strengthen their ties, the Pope built a monastery and church not far from the Barberini Palace. The Church’s crypt was then embellished using the bones of long-deceased Capuchin friars. The bones of circa 4000 bodies cover the walls and ceilings of four rooms, creating chandeliers, trellising gardens, and spiritual admonitions. See it to believe it!